New deals posted everyday, starting Black Friday and running through the holiday season! No hassles, no lines - just awesome savings on art, deviantWEAR, Premium Memberships and more!
Artist's Comments
User: ~apinrise
Technical Data Nikon F55 / Nikkor 28-80mm 35mm / Kodak Tri-X 400 ISO (developed in X-Tol 1:1) Printed on Ilford Variable Contrast Resin Coated Ilford 5 contrast filter I forget the exposure but i was fully stopped down to get as much sharpness as i could Exposure Data Metered off my hand in front of the guitar and stopped down one, and bracketed. Trying different negs to see which would give me my desired effect in the darkroom. Zoomed to 80mm to get smallest aperture and to flatten the image as much as possible. Used a tripod due to indoor indecent lights and to ensure perfect sharpness. Set timer to avoid camera shake, again, to ensure as crisp lines as possible. Critique I'd like to know if the sound hole should get a longer burn time or would that make the piece seem too abstract? Similarily, would some dodging at the top where you can start to see the wood detail coming through hurt or help the image? Is the light detail on the pick guard distracting or seem to grainy? Although 400 was all i had available, do you think i should re-shoot the image with a slower, finer grained ISO? Daily DeviationGiven 2006-01-12Guitar by *FilmCollective takes your eye around the picture over and over with its simple shapes and high contrast. (Suggested by ~neutral-cat and Featured by `hesitation) |
|
Comments
i hope that answers your question.
thanks for the comment.
--
_/_/_/_/
Which I think is what you're going for with this piece. Maybe you could give it a try. Where I live it actually tends to be less expensive than the TMAX100, so it might be good to play with.
Also, AGFA makes a pretty good b&w film. I don't use their color film because it tends to be very red, but their b&w film is actually pretty good.
Love that piece, though. Very nicely done.
--
"Eventually scientists will discover something that explains ghosts...And then ghosts won't be mysteries. They will be like electricity and rainbows and nonstick frying pans."
-from The Curious Incident of the Dog in the Night-Time, by Mark Ha